By Lauren Hyunseo Cho
Applying the colors to her face
bright, varied
exciting
this was an experiment, like finding
the perfect additive
color,
the pigments and the glitter
like the stings of insects
in pigments,
in glitters.
To be grown up, to be
probing in the mirror,
the fresh blood
of red lipstick,
she was an archaeologist digging
but sometimes, she struck
with impatient fists,
the hidden depths
uncovered like ancient bones.
Afterward, she would pour
glosses and shadows,
into the cracks, eking out
like spider webs,
but the beauty
always seeped through,
lost.
Her reflection in windows
purple and red,
black and blue,
she painted others,
butterflies trapped in a bell,
wings crushed into pigment,
glosses and shadows burned
her skin, etched
her into art.
Her beauty
carved by her soul,
still and staring,
silent and solemn,
a Medusa
pieces the fractured mirror
to fix it,
with steady hands.
Atlant(is)
![](https://watershedreview.com/wp-content/uploads/2022/03/Screen-Shot-2022-03-22-at-8.38.44-PM-617x1024.png)
Lauren Hyunseo Cho is a 17-year old published poet based in Seoul, South Korea. She has her poems forthcoming, pending on editorial review, or published in CrashTest Magazine, Teen Ink, Ice Lolly Review, LiveWire, Cathartic Youth Magazine, and more. She is interested in issues of multicultural advocacy, feminism, and philosophy. Her love for writing serves to produce poems and stories of her take on these ideas.