Collage
![](https://watershedreview.com/wp-content/uploads/2024/04/Il_y_a_une_femme_qui_ne_me_voit_pas_—_A_woman_who_doesnt_see_me_is_there-1-1024x646.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/Elle_a_envoye_des_mots_a_mon_silence_—_She_sent_words_to_my_silence-1-638x1024.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/Elle_attend_—_She_awaits-1-696x1024.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/Just_Shy_of_Her_Exit-1-1024x784.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/Toward_Nightfall-1-760x1024.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/The_Gazing_City_VI-1-620x1024.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/ombre_ecarlate_—_scarlet_shadow-1-848x1024.jpg)
![](https://watershedreview.com/wp-content/uploads/2024/04/Blue_Morning-1-550x1024.jpg)
Center: Just Shy of Her Exit, Toward Nightfall, The Gazing City VI
Bottom: Scarlet Shadow, Blue Morning
JC Alfier’s (they/them) most recent book The Shadow Field, was published by Louisiana Literature Press. Other books include The Wolf Yearling, (Silver Birch, 2013), Idyll for a Vanishing River (Glass Lyre, 2013) — both collections of poems set in the American Southwest. In 2016, Cowboy Buddha published Anthem for Pacific Avenue, a collection of California poems, and Aldrich Press came out with The Red Stag at Carrbridge: Scotland Poems.Their journal credits include Faultline, New York Quarterly, Notre Dame Review, Penn Review, River Styx, Southern Poetry Review and Vassar Review. They are founder and co-editor of Blue Horse Press.