Spring 2024

10th Anniversary Issue

A NOTE FROM THE EDITOR

Over the last decade, Watershed Review has published hundreds of poets, essayists, fiction writers, and visual artists. To select for this special issue we spent a semester reading and discussing all 19 issues in our digital archive. The student editors in this particular class got a unique view of our magazine, surveying the choices of all the editorial groups who came before them. In certain moments, I found myself retelling our past editorial conversations—how a particular piece won everyone over, how something was fought for and prevailed, or how one piece or another had become a reference point for those to come after. Every literary magazine’s lineage is made up of these conversations, strung from one issue to the next, becoming the lore and guidepost by which the future of a publication continues to create itself. And for every poem, story or essay chosen, three got away, and countless were admired and spoken well for, but didn’t end up in our final curation. We are as proud to be a writer’s first publication as much as their fiftieth, and there’s no pleasure like seeing those we read years ago publish their first book, then second, and so on.

Too, our student editors have gone on to impressive places, both professionally and creatively (check out our Instagram to see where some of these folks are now). Hundreds of students have taken their moment at the editorial table—through a pandemic, the catastrophic Camp Fire in 2018, personal losses, and collective upheaval (sometimes simultaneously)—and gathered voices and images together to bring another issue to life. Literary magazines are pivot points, for authors, editors, and their readers, capturing the movement of language, history, and the conversations of a moment. The world has changed since our first digital issue in the spring of 2013. Who can say where we’ll be in another ten?

We want to thank all of our contributors for trusting us with your words and art. Without you, there is no Watershed Review. As well, the support of the College of Humanities and Fine Arts and the English Department here at CSU, Chico have never wavered in their support of our publication and its growth. We thank you for believing in the preservation of literary editing and publishing at our institution and beyond. And finally, a thousand thanks from me to all of my students who’ve spend countless hours imagining and shaping Watershed Review into what it is and what it will become. Ten years ago, a group of students asked to keep our magazine going even after the programs that supported it were cut. We sat in a classroom together every Friday for months re-visioning what it could become and how to make it a sustainable effort. Now, all of the support programs are reinstated and we have a Literary Editing and Publishing certificate program in full swing. Everything was built back up from this magazine and the refusal of a small group to allow the destruction of something beautiful and essential. We hope you’ll stay a while and explore this stunning gathering of voices from the archives.

Ever onward,

Sarah Pape, MA, MFA Managing Editor

fiction


Justin Bryant | #TwitterJumper
Jessie Carver | Andromeda
Tammy Delatorre | Red Sea
A. Farrier | The Curvy Cage
Wei He | Dear Sherlock Holmes,
Anastasia Jill | Mother of
Kenneth Kelly | Cogs
Rupprecht Mayer | Description of a Coast
Teresa Milbrodt | Four
Abigail Miles | Three Hundred and Sixty Five
Tanya Perkins | Green Abandon
Jennifer Popa | Useless Prey
Kimberly Ramos | Fable Containing the Warmth of a Hand
Adrienne Rivera | Risk Management
J.T. Townley | Preview Man
Annie Vitalsey | It's Not You, It's Jesus
LaToya Watkins | Man Work
Katherine Wasche | The Chronologist 
Tina Xiang | That Same Sad Tale

nonfiction


Saanya Ali | Reasons to Never Fall for the Writer
Fred Arroyo | Pulsar Watches
Daria Booth | Three Food Stories
Ashley Bowen | Waiting Rooms
Sophie Buckner | Strokes Through Water: A Feminine History
Pamela Dellinger | Nothing Was Out of Control
Matthew Gavin Frank | Oaxaca Night
Marion Goldstein | Shattered Glass
James Craig Hartz Jr. | Killing for Non-Majors
Heather Momyer | All the Ways We Exist
Sjohnna McCray | Love and Illness
Eva Saulitis | 49: The Last Five Days
Alaina Scarano | The Mariana Trench
Caitlin Scarano | Body, Baby, Water; Moon
Christine Stewart-Nuñez | Toward Intimate Spaces
Emily Stoddard | Orienteering
Katie Stine | First and Last Day
Frank Soos | Doubling, Doubling Back
David Tromblay | Yabba Dabba Do

Poetry


Crystal Boson | What It Is to Be a White Man
Abdulmueed Balogun | I Feel Like Writing
Brittney Corrigan | Elegy for One Billion Animals
Hollie Dugas | Alchemy's Darling 
Rae Gouirand | Arils on Velvet
Nathan Hassall | Pills
Sara Henning | I'm Not Saying Goodbye, I'm Thinking of the Moon
Javan Howard | Give Me One Reason
Amy Hsieh | Parabole
Robert Krut | Watch Me Trick Ghosts
Kelly Nelson | First Date
Sarah O. Oso | Self-Portrait as a Dragon
Annie Przypyszny | Sometimes I Dream About Whales
Esther Ra | Dear America / Beautiful Country
Michelle S. Reed | Catcall #27
Katherine Riegel | Kites Almost Too Strong to Hold
Peggy Shumaker | Tiny Infinity 
Martha Silano | My Guardian Angel Was a Crow and God Did Not...
Nathan Slinker | In the Play We Are Blossoms That Close Each Night
Clint Smith | Ode to the Only Black Kid in the Class
Nicole Stellon O'Donnell | A Reply to the Obtrusive Narrator
Valerie Wallace | Small Seams
Jeff Whitney | Love

fiction


Justin Bryant | #TwitterJumper
Jessie Carver | Andromeda
Tammy Delatorre | Red Sea
A. Farrier | The Curvy Cage
Wei He | Dear Sherlock Holmes,
Anastasia Jill | Mother of
Kenneth Kelly | Cogs
Rupprecht Mayer | Description of a Coast
Teresa Milbrodt | Four
Abigail Miles | Three Hundred and Sixty Five
Tanya Perkins | Green Abandon
Jennifer Popa | Useless Prey
Kimberly Ramos | Fable Containing the Warmth of a Hand
Adrienne Rivera | Risk Management
J.T. Townley | Preview Man
Annie Vitalsey | It's Not You, It's Jesus
LaToya Watkins | Man Work
Katherine Wasche | The Chronologist 
Tina Xiang | That Same Sad Tale

nonfiction


Saanya Ali | Reasons to Never Fall for the Writer
Fred Arroyo | Pulsar Watches
Daria Booth | Three Food Stories
Ashley Bowen | Waiting Rooms
Sophie Buckner | Strokes Through Water: A Feminine History
Pamela Dellinger | Nothing Was Out of Control
Matthew Gavin Frank | Oaxaca Night
Marion Goldstein | Shattered Glass
James Craig Hartz Jr. | Killing for Non-Majors
Heather Momyer | All the Ways We Exist
Sjohnna McCray | Love and Illness
Eva Saulitis | 49: The Last Five Days
Alaina Scarano | The Mariana Trench
Caitlin Scarano | Body, Baby, Water; Moon
Christine Stewart-Nuñez | Toward Intimate Spaces
Emily Stoddard | Orienteering
Katie Stine | First and Last Day
Frank Soos | Doubling, Doubling Back
David Tromblay | Yabba Dabba Do

Poetry


Crystal Boson | What It Is to Be a White Man
Abdulmueed Balogun | I Feel Like Writing
Brittney Corrigan | Elegy for One Billion Animals
Hollie Dugas | Alchemy's Darling 
Rae Gouirand | Arils on Velvet
Nathan Hassall | Pills
Sara Henning | I'm Not Saying Goodbye, I'm Thinking of the Moon
Javan Howard | Give Me One Reason
Amy Hsieh | Parabole
Robert Krut | Watch Me Trick Ghosts
Kelly Nelson | First Date
Sarah O. Oso | Self-Portrait as a Dragon
Annie Przypyszny | Sometimes I Dream About Whales
Esther Ra | Dear America / Beautiful Country
Michelle S. Reed | Catcall #27
Katherine Riegel | Kites Almost Too Strong to Hold
Peggy Shumaker | Tiny Infinity 
Martha Silano | My Guardian Angel Was a Crow and God Did Not...
Nathan Slinker | In the Play We Are Blossoms That Close Each Night
Clint Smith | Ode to the Only Black Kid in the Class
Nicole Stellon O'Donnell | A Reply to the Obtrusive Narrator
Valerie Wallace | Small Seams
Jeff Whitney | Love

Art


All of the art for this issue was pulled from our generous art archives. On most contributors' pages you'll find a correlating art piece with a link to its original publication, as well as listed here (in order of appearance in the issue):

Lea Wülferth (Vol. 41.1)
Sioban Bedford (Vol. 37.2)
Priyanka Tewari (Vol. 38.2)
Cynthia Schildhauer (Vol. 35.2)
W. Jack Savage (Vol. 37.2)
Bill Wolak (44.2)
Sheri L. Wright (Vol. 37.2)
Karen Purdy (Vol. 36.2)
Max Talley (Vol. 41.1)
Leah Oates (Vol. 38.2)
Caitlin Schwerin (Vol. 37.1)
Sara Pedigo (Vol. 35.2)
Britta Cartagena Goldmann (Vol. 35.1)
Kris Wheat (Vol. 36.2)
Jesse Treece (Vol. 36.1)
John Kirsch (Vol. 39.1)
Angjelin Hila (Vol. 42.1)
Ana-Maria Prundaru (Vol. 38.1)
Ashley Penning (Vol. 35.2)
Roger Salucci (Vol. 39.1)
Ira Joel Haber (Vol. 40.1) 
Alain Laboile (Vol. 38.2)
Dr. Ernest Williamson III (Vol. 37.1)
Jury S. Judge (41.2)
Daniel Papke (Vol. 36.2)
Christine Connerly (Vol. 42.1)
Rebecca Pyle (Vol. 40.2)
Simon Fyrdundel (Vol. 41.1)
Maurizio Bongiovanni (Vol. 36.1)
Deborah Angyo Gorman (Vol. 37.1)
Ed Touchette (Vol. 40.1)
Christina Rosche (Vol. 45.1)
Sandy Coomer (Vol. 40.1)
MaryRose Lovgren (Vol. 37.2)
Mandy Cooper (Vol. 42.1)
Shara Johnson (Vol. 37.2)
Laura J. Stein (Vol. 38.2)
Brittany Brown (Vol. 35.1)
Federico Federici (Vol. 40.2)

selection editors

Mataya Bryson O'Connor, Jen Carter, Dylan Cox, Sydney Cox, Brady Freitas, Harrison Hoang, Celeste Lentz, Sandra Martinez, Alejandro Mendez, Ally Moreno, Carlo Ortiz, Deeanna Prescott, Elisa Quintero, Tyler Reed, Jocelyn Sanchez, Myra Scott, Paityn Spector, Sarah Speegle, Nicolas Spevak, Faith Vargas, Elise Wall, Whitney Williams, Dana Wilske, Manting Xiong

Publication Team

Kayley Amen, Anthony Avakian, Alysa Baker, Amber Barth, Audrey Brostrom, Cameron Cross, Quinn Falconer, Reilly Hall, Paige Harrington, Eli Morrison, Austin Moyer, Hailey Murphy, Charlotte Nunes, Annika Oseguera, Dasha Petrov, Charlotte Price, Elisa Quintero, Mary Thompson, Mason Tovani, Mylie Turney
Spring 2024